For the last couple of years some of the best music in the world has come out of South Africa.
One just has to listen to albums like Zebra & Giraffe’s Collected Memories, Prime Circle’s last two releases All or Nothing and Jekyll & Hyde, or bands like Cassette, Taxi Violence and Hog Hoggidy Hog to wonder why the hell musicians in this country struggle so.
Is it because the Americans are painfully closed-minded when it comes to international anything and just believe what the TV tells them?
We get fed such mediocre, boring bullshit from the States – all image and no substance. So-called artists who sell millions of records purely by shaking booty or pretending to be a gangster.
Is it because, when we have the opportunity to showcase our talent through events like the World Cup opening ceremony, our politicians stick to ‘traditional’ artists trying to be West Side Ali G imitations or safe but mundane bands like the Parlotones?
It’s almost as if there’s a government conspiracy to say to the world, “Look how gracious we are to let the whities on the stage, but doesn’t it sound like a kak version of the Killers?”
When I was a teenager all we had to offer was deafening bile like Mango Groove and MarcAlex – South African music was embarrassing and crap – but things have changed and I think most people my age don’t realise it.
Many still wrongly believe local is lame.
It’s not enough to buy a cd here and there and occasionally go to a Kirstenbosch concert. Proud South Africans need to be proactive and help get our musicians’ talent out there.
When Lucy’s mom returned to England I gave her a pile of discs to give to her son – everything from the Plastics to Plush to Wrestlerish. Hell, I even threw in some Watershed and old Squeal albums.
Listening to Prime Circle’s new Jekyll & Hyde causes my chest to puff up with patriotism. And, as one reviewer suggested, I will wave it in the face of every foreigner I meet.
We need them and those of their ilk to be able to keep doing what they’re doing, because if they fail all we will be left with is American finger-bling wavers, British gayboy bands, and a KFC snackbox.
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